Showing posts with label DC Comics Presents. Show all posts
Showing posts with label DC Comics Presents. Show all posts

Thursday, November 3, 2022

DC Comics Presents 85

DC Comics Presents 85
Sep 1985

The Jungle Line
Alan Moore, Rick Veitch, Al Williamson, John Costanza, Tatjana Wood, Julius Schwartz

Superman gets infected by the Blood Morel. He loses his powers and starts hallucinating. He thinks he is going to die. He rents a car, heads south, and crosses paths with Swamp Thing. Superman is too far gone to act rationally. He has forgot what he knew about the Blood Morel, which originated on Krypton. Swamp Thing recognizes what Superman needs and helps him to recover.

Tuesday, September 17, 2019

DC Comics Presents Annual 1

DC Comics Presents Annual 1
1982

Crisis on Three Earths
By Marv Wolfman, Tich Buckler, Dave Hunt, John Costanza

Superman of Earth-1, Superman of Earth-2, and Alexander Luthor of Earth-3 team up to battle Lex Luthor of Earth-1, Alexei Luthor of Earth-2, and Ultraman of Earth-3.

This story marks the first appearance of Alex Luthor and the second appearance of Lois Lane, both of Earth-3. Both are killed in their next appearance, Crisis on Infinite Earths 1. Lois Lane (E-3) first appeared in Secret Society of Super-Villains 14.

Sunday, October 1, 2017

DC Comics Presents 61

DC Comics Presents 61
Sep 1983

The Once-and-Future War!
by Len Wein, George Perez, Pablo Marcos, Rick Hoberg, John Costanza

OMAC (One Man Army Corps) aka Buddy Blank follows Murdermek (a killer robot) back in time to prevent him from assassinating his ancestor: Norman Blank. OMAC arrives in Metropolis in the year 1983 minutes after the robo-assassin. He teams up with Superman, after a brief misunderstanding, to track down and destroy Murdermek who finds some allies of his own.

The final battle between the two sides occurs at Metro Centrsl Station. Murdermek's allies have been outfitted with high tech deadly armored suits but prove to be no match for the One Man Army Corps. Superman deals with the killer droid who caught him off guard in their previous encounter.

The idea behind this story sounds similar to the plot of the original Terminator movie which was released a year later in 1984.

The image on the cover is clearly a loose homage to Flash 123, Flash of Two Worlds.

George Perez art work is beautiful as usual. A number of moments stood out for the way they were told visually. The panel arrangements on page 3 do an excellent job of telling the story efficiently and imparting a lot of information from different perspectives. OMAC's origin story on pages 10 & 11 was subtlety used to forward two different scenes, simultaneously. The OMAC/Brother Eye moment on the bottom half of page 18 was a neat little visual trick in the way it was split between the two characters. I really liked how the panel of Superman thinking in the bottom left corner of page 21 fades into a moment for Brother Eye in the following panel.

Len Wein also deserves much credit for the way in which the story was told. The ending is brilliant: Superman is left scratching his head, wondering what just happened. The answer to his question didn't disappear with OMAC it is right behind him but he is looking the wrong way and misses it as it shuffles past him.

Len Wein died less than a month ago as I write this. This might have been the first story of his that I read. I bought this issue last year or maybe the year before at Baltimore or Heroes Con. I read this story originally in Best of DC Digest 50 (Jul 1984), which also reprinted the Lex Luthor story from Action Comics 544 and which I bought in a drug store or comic shop off the racks. It was my introduction to OMAC. I remember enjoying this story quite a bit. I am very happy to find that it still strikes me as a fun read, with some depth to it. It is a masterfully told tale by Wein and Perez.

Prior to this story OMAC (or his alter ego Buddy Blank) had only appeared in a few issues of Kamandi, the 8 issues of his own series from 1974, and the 8 issues of Warlord in which his story ran as a back up feature (1980-81). His next story was the 1991 mini-series by John Byrne which I read 10-15 years ago and remember enjoying.

Dick Giordano's Meanwhile… column gives a brief preview of things to come from D.C. comics in the next 6-12 months.

The Pair Mail letters column is devoted to reactions to DC Comics Presents 57. Superman teamed up with the Atomic Knights in that issue. Some people loved the issue and some hated it. I have not read that issue or any other stories of the Atomic Knights. I remember Kenley Davis, a friend of mine, telling me about the Atomic Knights when we were in 6th grade. I'm not sure if he had read any of the original issues or just this issue of DC Comics Presents. I don't recall anything else that he told me about them but the concept and the name are still stuck in my head. According to my research they appeared 15 times in the pages of Strange Adventures between issues 117 (Jun 1960) and 160 (Jan 1964). They also appeared in Hercules Unbound 10, 11 (1977) prior to DC Comics Presents 57.

Saturday, September 30, 2017

DC Comics Presents 62

DC Comics Presents 62
Oct 1983

Born on the Fourth of July
By Bob Rozakis, Dan Mishkin, Irv Novick, Dave Hunt, John Costanza

The Freedom Fighters travel from Earth-X to Earth-1. They are there because Uncle Sam senses that the United States of America is in trouble. Someone has stolen the Declaration of Independence. According to Uncle Sam that's how the Nazis won World War II on Earth-X. Superman is busy dealing with other crises so it is up to Uncle Sam and the Freedom Fighters (Ray, Doll Man, Black Condor, Human Bomb) to recover the stolen document from the neo-Nazis who stole it.

This reads a bit like an after school special in that it is kind of preachy. There is no super villain. There is very little if anything in the way of character moments. It is all fight and very black and white.

Dick Giordano's Meanwhile… column is dedicated to upcoming comic book conventions at which DC Comics staff will be present. He also mentions a few new books that they will be previewing at the conventions including Redeemer, Atari Force, Thriller, and Infinity Inc. Unlike the other three, Redeemer was never released as a separate comic and wasn't published until about 30 years later when it finally showed up in the pages of Joe Kubert Presents.

DC Coming Comics
  • Justice League of America 219
  • Wonder Woman 308
  • Blackhawk 263
  • The Best of DC Digest 41
  • Amethyst, Princess of Gemworld 6
  • DC Comics Presents 62
  • The Fury of Firestorm 17
DC Comics Presents 62 is the only one on this list that I own or have read. Some of the descriptions read more like assessments of the creative team's talent than the content of the comic books.

The Fury of Firestorm 17 is the first appearance of Firehawk but not the first appearance of her alter ego, Lorraine Reilly, who first showed up in the first issue of the series

Pair Mail letters column - includes a description of what the Freedom Fighters have been up to since their series ended in 1978

Saturday, August 12, 2017

DC Comics Presents Annual 4

Welcome to LuthorCon III
By Elliot S! Maggin, Eduardo Barreto, and Jerry Ordway
1985

Dr. Kristin Wells travels back in time from the 29th century to the 20th. She loses her memory along the way. She arrives just in time for LuthorCon III. She wears the Superwoman costume she brought with her to the convention because it gets her in for free. There she meets Superman who is pretending to be an actor impersonating Superman.

Lex Luthor is operating behind the scenes of the show. He's wearing his power armor but doesn't use it. He is just pulling the strings and organizing a trap for Superman. Thanks to a big assist from Superwoman, whose powers are different from Superman's, he is able avoid falling victim to Luthor's scheme.

On the whole I found this story to be very disjointed and hard to follow. The transitions from scene to scene were very rough. I didn't enjoy this story and don't recommend it to others. The one saving grace was the art. The combination of Barreto's pencils and Ordway's inks were very soft on my eyes. It is a shame that the words that accompanied the pictures and the story behind it all didn't live up to the visual beauty provided by Barreto and Ordway.